By Sam Trailerman
Meet Nelson Marcus (Kavin), a sceptical street musician who doesn’t believe in love songs. Until fate hands him a surreal gift: the ability to see a couple’s romantic future the moment they kiss.
But this isn’t your average superpower. It’s not about saving the world — it’s about saving hearts.
And when Nelson glimpses a tragic ending for the woman he’s falling for, Sarah William (Preethi Asrani, voiced by Swarya), he’s thrust into a race against time, destiny, and his own disbelief.
Kiss is not your typical romantic comedy. There are no car chases, no villains, no bullets — just butterflies, heartbreak, and a ticking clock.
Director Sathish Krishnan, in a confident debut, crafts a whimsical world where love is both magical and maddening. The screenplay dances between laughter and longing, with a freshness that feels like a breeze on a humid Chennai evening.
VTV Ganesh steals scenes as the eccentric psychiatrist Dr Thirunavukkarasu, delivering laugh-out-loud moments with his signature wit.
And with Vijay Sethupathi lending his voice as the narrator, the film gains a warm, knowing tone — like a friend telling you a bedtime story for grown-up hearts.
The music by Jen Martin is a soulful companion to the story — playful, nostalgic, and deeply hummable. Harish Kannan’s cinematography wraps the film in a soft glow, capturing the innocence of first love and the ache of what-ifs.
Yes, the first 20 minutes take their time — but once the story finds its rhythm, it blossoms into a feel-good, family-friendly gem.
The chemistry between Kavin and Preethi is tender and believable, and the film’s emotional beats resonate across generations.
Kiss is a love letter to love itself — messy, unpredictable, and worth fighting for. It’s about the choices we make, the futures we fear, and the courage it takes to rewrite fate.
With its blend of fantasy, comedy, and heartfelt storytelling, it’s a perfect weekend watch with your loved ones.
So, gather your family, grab some popcorn, and let Kiss remind you why we fall in love in the first place —even when we know how the story might end.
WE